SCENIC PAINTING

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When Farah Cries | Cleveland Playhouse BorderLight International Festival

When Farah Cries was set in Syria. The set was supposed to be a house torn apart by surrounding conflict. My work painting was focused on the blown in and stained window, the large water stained chest, and the marble flooring which I spent a few days chalking lines, painting lines, and adding marble texture to. I also helped work on the construction and painting of the brick wall.

Outcult Theater | July 2019

Mystery of Edwin Drood | Walls

Set in Victorian London the set was seeking to evoke the idea of Victorian Paper Theaters. We worked to keep the walls flat but interesting.

The first look was for the main interior of a grand but dilapidated house. The second set was for the more well maintained conservatory. Here we played with creating “depth” with our off-set angled wall.

CWRU Footlighters | March 2019

Agnes Stonework

Styrofoam sheets, soldering iron for grout lines.